Jungle Book has impressive photorealistic animation, but the reboot suffers from the pitfalls of its own grandiosity and reduces a bittersweet fable of self-discovery into a run-of-the-mill hero journey.

Mowgli (Neel Sethi), a man-cub who’s been raised by a family of wolves, finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (voiced by Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voiced by Ben Kingsley), and the free-spirited bear Baloo (voice by Bill Murray).

Remember the simple days when old school animation was enough as long as the story resonated with the audience? Okay, before you brand me as old-person-yells-at-cloud, hear me out.

The 2016 Jungle Book does benefit from the latest technology in grand animation. Pixar has already managed to achieve photorealistic 3D animation with The Good Dinosaur. Disney takes it to a different level by building a real-life based environment through virtual production, which used photographs of remote jungles to create a live-action remake of the 1967 adaptation.

It’s a pumped-up version for new audiences who are used to bigger and louder blockbusters. The action is immersive thanks to the camera work, compositions, and detailed world-building. In one scene, Mowgli meets the Gigantopithecus King Louie in a tense yet awe-inspiring introduction with the deft use of space, shadows, and setting.  The jungle here is no playground. Instead of a mischievous scamp and his talking furry friends, you have a man-cub who shares a bond with some apex predators and must learn to survive with the rest.

Newcomer Neel Sethi fits the role, whose American accent and Indian heritage can connect to both the Disneyfied adaptation and the book. The voice actors are also a perfect fit – Bagheera benefits from the  inherently wise tone of Ben Kingsley, Shere Khan sounds menacing with Idris Elba’s snarl and Baloo is Bill Murray in bear form. The supporting cast also made their characters sound dignified or menacing as needed. Kaa only has one scene, but Scarlett Johansson makes it count.

While all of these winning combinations make for a grand spectacle, showing us that the difference between the artificial and real world can be rendered unnoticeable, the movie suffers from the pitfalls created by its own vision.

The reboot’s serious tone clashes with its cartoonish themes. Two songs made it here, but they’re unexpected and awkwardly placed. The movie wants to tell you that all the animals and perils here are real, but they also talk and speak in English. One of them evens knows what propaganda is.

Changes have been made to package the movie into an action adventure blockbuster, reducing the moral lessons and taking away the core of its story. Jungle Book is essentially about self-discovery – the source material is about Mowgli’s internal conflict while the 1967 Disneyfied adaptation is about where he belongs. Here, a bittersweet coming-of-age fable is turned into a run-of-the-mill hero journey. Plot elements from the Lion King appear to make it look interesting and nostalgic. In the end, an illogical plot point flips the minor characters to fit Mowgli’s re-tooled narrative and help stage a crowd-pleasing conclusion.

TL;DR Jon Favreau is able to incorporate all the important elements of his reboot’s predecessor, but doesn’t improve canon or move the story forward as visual spectacle takes precedence over the story.

There is no doubt that the Jungle Book is a technically accomplished movie backed by great performances. It’s enjoyable as a visual spectacle, but nothing more.

My Rating: 7/10

Alternative Movie Poster by Andy Fairhurst

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